David K. Yoo
David K. Yoo is Professor of Asian American Studies and History, and Vice Provost, Institute of American Cultures. http://www.iac.ucla.edu/
David K. Yoo is Professor of Asian American Studies and History, and Vice Provost, Institute of American Cultures. http://www.iac.ucla.edu/
Dr. Min Zhou is Distinguished Professor of Sociology & Asian American Studies, Walter and Shirley Wang Endowed Chair in U.S.-China Relations & Communications, and Director of the UCLA Asia Pacific Center. She is a member of the National Academy of Sciences of the United States and a member of the American Academy of Arts and Sciences. She currently serves on the UCLA Council on Academic Personnel (CAP), the Executive Committee of Sociological Research Association (SRA), and the Board of the International Society for the Study of Chinese Overseas (ISSCO). She was the founding chair of UCLA Asian American Studies Department (2001-05). Between 2013 and 2016, she took a leave of absence to be the Tan Lark Sye Chair Professor, Head of Sociology Division, and Director of the Chinese Heritage Centre, Nanyang Technological University, Singapore.
Dr. Zhou is an internationally renowned scholar in the areas of migration and development, race and ethnicity, Chinese diaspora studies, urban sociology, and the sociology of Asia and Asian America, and has published 20 books and more than 230 journal articles and book chapters in these areas. She is the author of Chinatown: The Socioeconomic Potential of an Urban Enclave (1992), Contemporary Chinese America: Immigration, Ethnicity, and Community Transformation (2009), and The Accidental Sociologist in Asian American Studies (2011); co-author of Growing up American: How Vietnamese Children Adapt to Life in the United States(with Bankston, 1998), The Asian American Achievement Paradox (with Lee, 2015), and The Rise of the New Second Generation (with Bankston, 2016); editor of Contemporary Chinese Diasporas (2007); and co-editor of Asian American Youth (with Lee, 2004), Contemporary Asian America (with Gatewood, 1st ed. 2000, 2nd ed. 2007; with Ocampo, 3rd ed. 2016), and Beyond Economic Migration: Historical, Social, and Political Factors in US Immigration (eds., with Mahmud, 2023).
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Professor Renee Tajima-Peña is Professor of Asian American Studies, Director of the Center for EthnoCommunications and holder of the Alumni and Friends of Japanese American Ancestry Endowed Chair. She is an Academy Award-nominated documentary filmmaker who has chronicled the Asian American experience through films such as Who Killed Vincent Chin? and My America…or Honk if You Love Buddha, Asian Americans, the first-ever 5-hour docuseries on the Asian American experience that aired on PBS in 2020.
Her other films on themes of immigration, race, ethnicity, gender and social justice include The Best Hotel on Skid Row, Calavera Highway, Skate Manzanar, Labor Women, and No Más Bebés. Tajima-Peña’s latest production is the May 19 Project which she co-founded/executive produced with Jeff Chang in collaboration with independent filmmakers across the US. The May 19 Project is a social media campaign that traces the legacy of Asian American Pacific Islander solidarity with other communities through fourteen short videos and social media content.
Her online media projects explore the history of Japanese American incarceration and resistance. Building History 3.0 is an interactive documentary and video game-based learning project and is supported by the National Parks Service and the California Civil Liberties Public Education Fund. Tajima-Peña is co-founder and co-producer of the Nikkei Democracy Project, a multi-generational multi-media collective that uses the power of the Japanese American imprisonment story to expose current threats to Constitutional rights.
Tajima-Peña’s work has screened at the Cannes Film Festival, Hong Kong Film Festival, New York Film Festival, Sundance Film Festival, and the Whitney Biennial, and has been broadcast throughout the US and abroad. She has been honored with two Peabody Awards, the Alpert Award in the Arts, a Guggenheim Fellowship, the United States Artists Broad Fellowship, and a Dupont-Columbia University Award.
Tajima-Peña has been deeply involved in the Asian American independent film community as an activist, writer and filmmaker. She was the director of Asian Cine-Vision in New York , and active in the founding of the Center for Asian American Media (formerly NAATA) and A-Doc/Asian American Documentary Network. During he time as a regular contributor to The Village Voice, she was the only Asian American woman film critic writing for a national publication. She was also a cultural commentator for National Public Radio and editor of Bridge: Asian American Perspectives.
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